LAURIE ANDERSON, TENZIN CHOEGYAL & JESSE PARIS SMITH - Songs From The Bardo - CD - SFWCD40583
Autores: Laurie Anderson, Tenzin Choegyal, Jesse Paris Smith, Rubin Kodheli, Shahzad Ismaily
Editor: Smithsonian Folkways Recordings
Formato: CD, Album
Géneros: Folk, World, Spoken Word, Tibetan Traditional Music, Modern Classical
PREÇO E FORNECIMENTO SOB CONSULTA
1 / Homage To The Gurus / 3:31
2 / Heart Sutra Song - Gone Beyond / 7:31
3 / Awakened One / 5:28
4 / The Three Jewels / 4:17
5 / Brilliant Lights / 11:13
6 / Listen Without Distraction / 5:26
7 / Gong / 1:37
8 / Dancing With The Crescent Knife / 4:26
9 / Jigten / 6:04
10 / Natural Form Of Emptiness / 6:38
11 / Lotus Born, No Need To Fear / 7:07
12 / Dividing Line / 3:50
13 / Moon In The Water / 5:15
14 / Awakened Heart / 5:09
Songs from the Bardo, the new release from internationally renowned multimedia artist Laurie Anderson, instrumentalist Tenzin Choegyal, and composer and activist Jesse Paris Smith, guides listeners through an introspective 80-minute investigation of the text of the Tibetan Book of the Dead. The album is a transporting experience, meant to draw the listener into the present moment and provide a framework for inner exploration. Choegyal says, “I have tried to channel the wisdom and traditions of my ancestors through my music in a very contemporary way while holding the depth of my lineage.” Like a guided meditation, this album suspends time, allowing listeners to fully lose themselves in the piece, as well as bringing to a new light the ideas expressed in the text, connecting the past and the present by illuminating death, the one constant in the impermanent human experience.
The origins of the project lie in shared activist work. Smith and Choegyal met in 2008 at a benefit concert that raised money to preserve Tibetan culture and traditions. They began conceptualizing this album back in 2014, first performing a shortened version of it as a duo in 2015.
(...) Songs from the Bardo perfectly combines Anderson’s storytelling genius with Choegyal’s expression of traditional Tibetan music and Smith’s background in composition to create a piece that transcends genre and form, emblematic of the text, which speaks of the experience of beings as they transform from one life into the next.