HAARVÖL - Indite - CD limited - MFR024
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Autores: Haarvöl, Fernando José Pereira, João Faria, Paulo Rodrigues
Editor: Moving Furniture Records
Formato: CD, Album, Limited Edition
Lançamento: 2015
Géneros: Electronic, Experimental, Drone, Ambient, Field Recording, Minimal
EAN: --
DISPONÍVEL
Editor: Moving Furniture Records
Formato: CD, Album, Limited Edition
Lançamento: 2015
Géneros: Electronic, Experimental, Drone, Ambient, Field Recording, Minimal
EAN: --
DISPONÍVEL
CD
1 / Stazione Metafisica (A Antonioni) / 8:25
2 / Water Ordeal / 10:02
3 / The Massive Downward Of Greyness / 11:02
4 / Quaestio Tormentorum / 10:13
5 / The Inescapable Labyrinth / 7:08
6 / Broca (Effacer la Mémoire) / 8:20
1 / Stazione Metafisica (A Antonioni) / 8:25
2 / Water Ordeal / 10:02
3 / The Massive Downward Of Greyness / 11:02
4 / Quaestio Tormentorum / 10:13
5 / The Inescapable Labyrinth / 7:08
6 / Broca (Effacer la Mémoire) / 8:20
Haarvöl’s music is conceptually developed in the exploration of the properties of sounds in order to achieve cinematic and imaging environments. The sounds are not restricted to their medial origins: both digital and analogue sources are used and mixed in intricate compositions with special attention to detail.
There are endemic links with the previous affirmation of their own sound. However, there is an effort towards obtaining a singularity in the new compositions. The tracks of the album try to form a homogeneous but not monolithic body of work to produce a diverse set of sounds with resonant similarities which do not repeat themselves, though. We find again the wide-ranging compositional structure already present in the previous album, that is, the use of non-hierarchical of analogue sounds as well as their electronic and digital counterparts in a joint effort to build the themes. The cinematic intentionality of the music attempts to reveal in detail the relationship with reality – here embodied by the intense use of field recordings as important components in the compositional process.
In Old English, "Indite" refers to the creative process of composing. This is perhaps one of the most relevant features of this new album: rather than the sonic intensity or wide experimentation, it is on the complex and dense composition of the themes that the rigorous structure, which decisively affirms the album, is built.
There are endemic links with the previous affirmation of their own sound. However, there is an effort towards obtaining a singularity in the new compositions. The tracks of the album try to form a homogeneous but not monolithic body of work to produce a diverse set of sounds with resonant similarities which do not repeat themselves, though. We find again the wide-ranging compositional structure already present in the previous album, that is, the use of non-hierarchical of analogue sounds as well as their electronic and digital counterparts in a joint effort to build the themes. The cinematic intentionality of the music attempts to reveal in detail the relationship with reality – here embodied by the intense use of field recordings as important components in the compositional process.
In Old English, "Indite" refers to the creative process of composing. This is perhaps one of the most relevant features of this new album: rather than the sonic intensity or wide experimentation, it is on the complex and dense composition of the themes that the rigorous structure, which decisively affirms the album, is built.
